Using quality materials makes sketching a bit easier, because these materials are designed to produce visually appealing drawings.
If you just want to sketch, nothing fancy…
Anything you have will do! Even though art-quality materials make certain sorts of sketching projects easier, you don’t actually need anything special to start sketching. Anything you can draw with and draw on will do, (regardless of brand/quality). So, as long as you have the following you’ll be fine.
This invited article in Frontiers in Ecology and the Environment clarifies the role that public information officers play in modern science communication. It is essential reading for scientists looking to share their science and for science-trained folks considering moving from research into scicomm. The full article is available for free here.
Excerpt: “To some, the word “promotion” smacks of hype and spin. It’s certainly true that PIOs choose the most interesting and important stories to share, but we’re also keenly aware that our efficacy is contingent upon the trust of the communities we represent, the media, and citizens.
Science PIOs fill a space between scientists and journalists – and increasingly, between scientists and public audiences more directly. Rather than focusing deeply on one area of science, we are constantly scanning the horizon, searching for stories that will catch the attention of our audiences and showcase the accomplishments of our employers or clients. As a result, scientists collaborating with PIOs gain considerably from the PIO’s skillset, experience, and contacts. By working with a good PIO, a researcher can position their work to have real societal impact, far beyond what they could achieve alone.”
Full citation: Invited. Merkle, B.G., M. Downs, and A. Hettinger. 2019. In the space between: Public information officers in science. Frontiers in Ecology and Evolution 17(8): 474-475. doi.org/10.1002/fee.2102.
This invited commentary in Nature is a pep-talk for science educators considering integrating drawing into their science teaching and assessment. The full article is available for free here.
Excerpt: “Fundamentally, creativity is a whole-brain process, and artists and scientists use the same parts of their brains to do complex, creative tasks. Ensuring that students understand the value of drawing can help motivate them to draw.
When my colleagues try to integrate drawing into their laboratory and field courses, however, they frame their motives more matter-of-factly. For example, one biology-lab coordinator noticed that students mainly interact with specimens by photographing them. She suspected that students did not gain much from taking these photos, on the basis of their exam scores.”
Full citation: Invited. Merkle, B.G. 2018. Perspective: Drawn to Science. Outlook: Science and Technology Education. Nature 562: S8-S9. doi.org/10.1038/d41586-018-06832-0.
This summer, a publication I led was published in the academic journal Natural Sciences Education. Like other resources I’ve shared, this article aims to ‘demystify’ the use of drawing for teaching and learning in science classrooms.
While the paper reports on ways of doing this in university classes, the advice, examples, and resources in the article will be equally useful for K-12 educators.
There is a great deal to learn about the work, craft, pleasure, and opportunity of writing by reflecting on what inspires us, what nuanced questions fascinate us. In these videos, two writers do just that.
These two videos were recorded in 2016, when I was an MFA candidate in the top-ranked University of Wyoming MFA program. Looking back at them several years later, the central fixations of these conversations still drive my musing and writing.