Last year, a book I illustrated was published! The book, Then There Were None: The Demise of Desert Bighorn Sheep in the Pusch Ridge Wilderness, by Paul Krausman, details the demise of the desert bighorn sheep populations in the mountains around Tuscon, Arizona. It is both a conservation history and a warning for current conservationists.
I was delighted to recently bump into a review of it that also mentioned my illustrations.
You can order the book from the publisher, New Mexico University Press, here.
In Autumn 2017, I led a co-taught graduate seminar course called “The Art of Science Communication.” The first project we assigned to the students, who were all PhD candidates in the sciences, was to select a mural in downtown Laramie. They each developed an audio script (which they then recorded) that interpreted their chosen mural in a way that connected the mural to their own research.
Exhibit A, from The Autobiography of Charles Darwin:
“[Not being urged to practice dissection] has been an irremediable evil, as well as my incapacity to draw.”
It was actually Darwin’s shipmate on the HMS Beagle, Conrad Martens, who made the sketches best known from that expedition. And, it wasn’t until well after Darwin’s famous voyage to the Galapagos that a publisher sent an artist back to that region with the express responsibility to illustrate Darwin’s observations.
Most publications from Darwin’s era were similarly professionally illustrated, with many of the illustrations based on specimens he collected. However, these illustrations were not Darwin’s own work.
Mind you, Darwin did occasionally sketch, as can be seen in his diagrams of “trees” roughly indicating how organisms were related. And, there are a handful of rough sketches of plant cross sections and geologic formations scattered through his myriad notebooks. But, these few sketches pale alongside the copious volumes of written notes and manuscripts he made.
“Too much importance cannot be given to drawing, as it is not only an excellent device for securing close observation, but it is also a rapid method of making valuable notes.”
Inspired by Louis Agassiz, the Harvard Committee of Ten insisted that drawing be an essential part of science education at their institution. While this curricular edict was issued in 1894, it is a learning and research recommendation whose value I rediscover every time I work on the “Ecologically True Story of the Tortoise and the Hare.”