I was recently interviewed for the Wyoming EPSCoR program’s blog.
In addition to a number of questions specific to the nature of sketching workshops I teach, Jess White from EPSCoR asked a thought-provoking question about how drawing contributes to my writing. It was a question I’d never consciously considered before, and I was delighted to be compelled to do so.
Little of that aspect of the interview made it into the final article, which is how interviews often go – there’s only room for so much, and no matter how interesting a tangent may be, it may not sync well with the dominant theme of the article.
So, here’s the “how sketching influences my writing” out-take.
Here are a couple points that are particularly interesting:
Talking animals can confuse children’s understanding of why/how animals do things. (Ganea et al 2014)
Children don’t differentiate between fact and fiction unless guided to do so. Books presented by adults are viewed as equally authoritative, and fantasy books can lead to children developing faulty explanations for themselves. (Owens 2003; behind a paywall – contact author for reprint)
Two weeks ago, I gave a seminar to the University of Wyoming Zoology & Physiology Department.
Entitled Drawn to Science: Exploring the Historical and Contemporary Synergies between Drawing, Creativity, and Science, my talk roved through history, technologies that have influenced art and science, and looked at research and examples of how art and science
can do much more than make data look pretty.
As part of my MFA thesis, I’m working on an art-science project about tortoises and hares and the ecosystems where the two coexist: “The Ecologically True Story of the Tortoise and the Hare.” One of those places just happens to be the Sonoran Desert, just south of where my husband grew up. So, while we were in Arizona over the holidays, I headed to that tortoise-and-hare desert.