I’ve been thinking a lot about the recent Science op-ed that was a personal attack against a well-known and successful science communicator and neuroscientist active on Instagram and other communication and engagement platforms. Among other things, I see this issue as relating to insecurities, negative social conditioning, and lack of support that folks often face when pursuing careers in the arts, or even considering trying out an art form. Continue reading I don’t usually post selfies, but that’s about to change. OR, some things #scientistswhoselfie and #sketchyourscience have in common.
Last year, a book I illustrated was published! The book, Then There Were None: The Demise of Desert Bighorn Sheep in the Pusch Ridge Wilderness, by Paul Krausman, details the demise of the desert bighorn sheep populations in the mountains around Tuscon, Arizona. It is both a conservation history and a warning for current conservationists.
I was delighted to recently bump into a review of it that also mentioned my illustrations.
You can order the book from the publisher, New Mexico University Press, here.
For example, in the past couple of years, I’ve learned:
- about traditional ecological knowledge relating to caribou genetics (link)
- several fish species build nests (link; my take)
- citizen science is helping Wyoming biologists track amphibian populations (link)
- bees have germs, and these germs can be studied (link)
- dogs are a big concern when trying to reintroduce bighorn sheep near cities in the Southwest (link)
- you can make pants for frogs (link; my take)
- there are many different ways to measure biodiversity (link)
It’s been pretty neat to learn about all these things, and I’m excited to think there’s no telling what I’ll learn about next!
Happy summer, dear readers!
I trust this finds you enjoying the weather and doing a bit of sketching. It’s hot in my corner of the Mountain West. I’m writing you from my basement – the only space where it is cool enough to think. But, happily, along with the heat comes garden season, complete with loads of the pollinators I so love to watch and draw. Speaking of which, this is my third year gardening at 7,200 feet above sea level, and it’s a garden in a new part of town.
On top of moving, there are other reasons why it was a busy spring. I successfullydefended my master’s thesis and started a new job. I published a blog series about using the internet to source images for SciComm. I’ve also been co-editing a blog featuring the wide range of career paths possible in SciComm. And, I did some traveling and teaching about art-science synergy, collaborate on communicating about migration, and more. Also,CommNatural is on Instagram now!
As a result of my transition to a new job and all this other busyness, I’m shifting this newsletter from monthly to quarterly. That will ensure I can still connect with you, and share ideas and field experiences, while also giving attention to this new work. Meanwhile, I’ll be posting material on the blog more frequently. I will reference some of it in the newsletter each quarter.
If you’d like to keep up as material is published, and don’t want to miss any of it, please subscribe to my blog. Just visit the website, scroll to the bottom, and provide your email address in the subscription bar! Thanks in advance for subscribing there.
As always, feel free to share* this newsletter with your friends & colleagues. And do share your sketches & SciArt adventures with me via email or social media!
Summer 2017 Table of Contents
- Insight: E.O. Wilson on drawing & creativity
- Sketching tip: Drawing on windows
- Artful Classrooms: Using resin sculptures and drawing to learn about cichlid (fish) phylogeny (genetic relationships)
- Artful Science: A best-practices primer for using images
- Sketchbook Snapshot: A mystery moth
- News & Events: Upcoming science communication graduate course; field sketching workshops for the Wyoming Outdoor Council; recent publications, including a book featuring my illustrations of bighorn sheep; get your summer sketching kits while they’re still in stock
He said so himself. And he regretted it.
Exhibit A, from The Autobiography of Charles Darwin:
“[Not being urged to practice dissection] has been an irremediable evil, as well as my incapacity to draw.”
It was actually Darwin’s shipmate on the HMS Beagle, Conrad Martens, who made the sketches best known from that expedition. And, it wasn’t until well after Darwin’s famous voyage to the Galapagos that a publisher sent an artist back to that region with the express responsibility to illustrate Darwin’s observations.
Most publications from Darwin’s era were similarly professionally illustrated, with many of the illustrations based on specimens he collected. However, these illustrations were not Darwin’s own work.
Mind you, Darwin did occasionally sketch, as can be seen in his diagrams of “trees” roughly indicating how organisms were related. And, there are a handful of rough sketches of plant cross sections and geologic formations scattered through his myriad notebooks. But, these few sketches pale alongside the copious volumes of written notes and manuscripts he made.
Darwin maintained he couldn’t draw.
So he didn’t ever do it. Continue reading Darwin wouldn’t draw. Seriously.