I’ve been thinking a lot about the recent Science op-ed that was a personal attack against a well-known and successful science communicator and neuroscientist active on Instagram and other communication and engagement platforms. Among other things, I see this issue as relating to insecurities, negative social conditioning, and lack of support that folks often face when pursuing careers in the arts, or even considering trying out an art form. Continue reading “I don’t usually post selfies, but that’s about to change. OR, some things #scientistswhoselfie and #sketchyourscience have in common.”
In Autumn 2017, I led a co-taught graduate seminar course called “The Art of Science Communication.” The first project we assigned to the students, who were all PhD candidates in the sciences, was to select a mural in downtown Laramie. They each developed an audio script (which they then recorded) that interpreted their chosen mural in a way that connected the mural to their own research.
Their research ranged from super-massive black holes to birds that are inadvertent gardeners in tropical rain forests. We collaborated with the Laramie Public Art Coalition and the Laramie Mural Project to make the recordings available online. And, the University of Wyoming Press Office helped us distribute a press release about the project that was picked up by the Gillette News Record.
Learn more about the course, other communication and engagement projects developed by the students, and more, at the course website they maintained: engagelaramiescience.weebly.com.
Though many a northerner might beg to differ with Robert Frost’s somewhat flippant statement – “You can’t get too much winter in the winter” – there is a truth to the poet’s words that became evident when I looked into winter vocabulary.
Wintry word origins
According to etymologyonline.com, the word winter likely derives from a combination of Proto-Germanic, Norse, Dutch, and Gaul words which meant “wet” or “white.” The word snow dates from circa 1300, shares linguistic roots with winter and was alternatively spelled “snew” until the 1700s. Continue reading “Sketchbook Snapshot: taking a closer look at winter vocabulary”
For almost a year now, I’ve been contributing natural history and science illustrations+text to a gorgeous children’s magazine called root & star.
In the next year, I’ll focus on natural history collections, raccoon “hands,” horses, magpies, and the wind.
I’m telling you about root & star because:
I think it’s a phenomenal way to engage children in artful thinking and exploration. I love the magazine and love being part of it. There’s no monetary benefit to me if you subscribe or pick up a copy at one of the retailers now stocking it.
But, that’s fine — I only hope you’ll find it wonderful, too!
“Too much importance cannot be given to drawing, as it is not only an excellent device for securing close observation, but it is also a rapid method of making valuable notes.”
Inspired by Louis Agassiz, the Harvard Committee of Ten insisted that drawing be an essential part of science education at their institution. While this curricular edict was issued in 1894, it is a learning and research recommendation whose value I rediscover every time I work on the “Ecologically True Story of the Tortoise and the Hare.”
Right now, I am chipping away at storyboards and draft text for a version of the story which will be exhibited at the University of Wyoming Biodiversity Institute in Spring 2017. Continue reading “Sketchbook Snapshot: illustrating tortoises and hares”