Article: Poetry as a Creative Practice to Enhance Engagement and Learning in Conservation Science

This article was such a fun research and writing project. We were working from the foundational question of how to connect scientists to the value of the practices of reading and creating poetry.

While the paper reports on ways of doing this in university classes, the advice, examples, and resources in the article will be equally useful for K-12 educators.

The article is available via open-access (for free) at the BioScience website. It is also featured here on the Wyoming Public Radio website, where you’ll find more context about the goals we had for writing this article.

Meanwhile, here’s a sample of what you might find useful.

Article abstract (aka summary):

“Creativity is crucial to the capacity to do science well, to communicate it in compelling ways, and to enhance learning. Creativity can be both practiced and enhanced to strengthen conservation science professionals’ efforts to address global environmental challenges. We explore how poetry is one creative approach that can further conservation scientists’ engagement and learning. We draw on evidence from peer-reviewed literature to illustrate benefits of integrating science and poetry, and to ground our argument for the growth of a science-poetry community to help conservation scientists develop skills in creative practices as a component of professional development. We present examples from literature as well as two short poetry exercises for scientists to draw on when considering writing poetry, or deciding on forms of poetry to include, in their practice. Opportunity exists to grow science–poetry projects to further our understanding of what such initiatives can offer.”

Our article also made the cover!

Our photo made the cover! See details in the text, below. Photo © B.G. Merkle, 2018.

Reproductive structures emerging from a complex lichen community, photographed in Parc Jacques-Cartier (Quebec, Canada) provide an opportunity for close observation and focused reflection in much the same way that our poetry article indicates that poetry may help focus scientists’ and science students’ attention. The mutualistic potential of combining poetry and science evokes the underlying biology of lichen. Rather than an individual organism, lichens are the result of a symbiosis of fungi, algae, and/or cyanobacteria. As we noted in our paper, art and science, when integrated, can facilitate innovation, creative thinking, and more compelling learning experiences than when these disciplines are practiced in isolation.

Full article citation: Januchowski-Hartley, Stephanie R., Natalie Sopinka, Bethann G. Merkle, Christina Lux, Anna Zivian, Patrick Goff, and Samantha Oester. Poetry as a Creative Practice to Enhance Engagement and Learning in Conservation Science. BioScience 68(11): 905–911. https://doi.org/10.1093/biosci/biy105.

Article: Creative convergence: exploring biocultural diversity through art

I had the great honor of collaborating with my friend Dr. Jean Polfus and her Sahtu Dene community collaborators on this publication. In it, we detail how art can be used as an inclusive, innovative research method for ecological research.

The article is available via open-access (for free) at the Ecology and Society website.

Screenshot of a figure from the paper. The paper is available for free to download/view here.

Meanwhile, here’s a sample of what you might find useful:

Excerpts from the article abstract (aka summary):

“Interdisciplinary approaches are necessary for exploring the complex research questions that stem from interdependence in social-ecological systems […] Identifying biocultural diversity requires a flexible, creative, and collaborative approach to research. We demonstrate how visual art can be used in combination with scientific and social science methods to examine the biocultural landscape of the Sahtú region of the Northwest Territories, Canada. Specifically, we focus on the intersection of Dene cultural diversity and caribou (Rangifer tarandus) intraspecific variation. We developed original illustrations, diagrams, and other visual aids to increase the effectiveness of communication, improve the organization of research results, and promote intellectual creativity […]Collaborative visual products, like posters that represented different caribou types, allowed Dene partners to more clearly articulate subtleties within caribou intraspecific variation that are manifest through distinct dialects, place-based relationships, and cultural practices. Our results point to the potential for visual art to be used to improve communication, participation, and knowledge production in interdisciplinary and cross-cultural research collaborations and to enhance the sustainable stewardship and protection of biodiversity.

Full citation: Polfus, J. L., D. Simmons, M. Neyelle, W. Bayha, F. Andrew, L. Andrew, B. G. Merkle, K. Rice, and M. Manseau. 2017. Creative convergence: exploring biocultural diversity through art. Ecology and Society 22(2): 4-17.
https://doi.org/10.5751/ES-08711-220204

Is this SciComm? A book review about a non-science book

I’ve been mulling over the boundaries of #SciComm, in the wake of a book review I published this week on The Volta Blog.

The book I reviewed, Spring Ulmer’s The Age of Virtual Reproduction (Essay Press 2009), is a riveting eloquent set of “meditations on torture, slaughter, and the severity of so many human relationships.”* It is also a book fixated on relentless technological development and scientific discovery (e.g. photography, nuclear weapons).

But, there isn’t any explicit science in the book.

20160613_Volta Blog_Spring Ulmer review_screenshot

Continue reading “Is this SciComm? A book review about a non-science book”

What do science writing and sketching have to do with each other? Wyoming EPSCoR asked me…

Picture1

I was recently interviewed for the Wyoming EPSCoR program’s blog.

In addition to a number of questions specific to the nature of sketching workshops I teach, Jess White from EPSCoR asked a thought-provoking question about how drawing contributes to my writing. It was a question I’d never consciously considered before, and I was delighted to be compelled to do so.

Little of that aspect of the interview made it into the final article, which is how interviews often go – there’s only room for so much, and no matter how interesting a tangent may be, it may not sync well with the dominant theme of the article.

So, here’s the “how sketching influences my writing” out-take.

Continue reading “What do science writing and sketching have to do with each other? Wyoming EPSCoR asked me…”

Should we be feeding wild birds? How a desire to sketch birds led to a romp through the bird-feeding literature

Cross-posted on www.drawntothewest.com

Group of finches_v1You can tell it’s spring; the Internet is aflutter with bird articles.

A lot of those articles relate closely to the two-part series I just wrapped up about attracting wild birds using methods informed by ornithology research.

I was inspired to investigate the subject because we have a “new-to-us” backyard that is bare dirt. A few trees and shrubs sit at the corners of the lot, but that’s it. We’ve begun by seeding in some native grasses and installing a vegetable garden, and now are considering what we could do to attract birds.